Art: Visual Plagiarism: Appropriation

Appropriation:

"Appropriation is the borrowing (or stealing, as some would insist) of an image or object from the work of another artist and incorporating it in one's own creation where its context is altered." —  Sam Hunter et al.. Modern Art: Painting, Sculpture, Architecture, Photography (Upper Saddle River, NJ: Prentiss Hall, 2004), 454.

Andy Warhol is known for his silkscreens and was often accused of appropriation.  Throughout his career, he fought many lengthy battles over copyright.  These lawsuits included photographers' work, mass-produced products, and advertisements from popular culture.

"Andy Warhol" by Jack Mitchell is licensed under CC BY-SA 4.0

The photograph of Andy Warhol above is shown under a Creative Commons license, granting permission to use by providing attribution to the photographer.  Andy Warhol, known as the "Great Appropriator," created silk screens using recognizable images of people and objects.

Appropriation in Design:

• Includes non-text sources such as graphic design, paintings, and architectural work (designs, buildings, plans, and drawings)​
• This includes motifs, forms, or arrangements – including but not limited to appearance, arrangement, display, or exhibition. (see Vandegrift Plagiarism Policy)​
• Modifying a design or image digitally or through other processes is not enough to claim a work original. One must show a creative process.  The work needs to be transformative.

  • "The central purpose of this investigation is to see . . . whether the new work merely “supersedes the objects” of the original creation,. . . or instead adds something new, with a further purpose or different character, altering the first with new expression, meaning, or message; it asks, in other words, whether and to what extent the new work is 'transformative.'"​

    -- Justice Joseph Story’s description in Folsom v. Marsh ​

     Sites, Brian. "Fair Use and the New Transformative." Columbia Journal of Law & the Arts 39 (2016): 513-550.​

Keep in mind that your work should "provoke a critical re-evaluation of well-known pieces by presenting them in new contexts, or challenge notions of individual creativity or authenticity in art." (Oxford English Dictionary)​

Example of Appropriation: You Be the Judge

Left: Dürer, Albrecht. Christ among the Doctors, from The Life of the Virgin, 1511. Woodcut, 11 3/4 x 8 3/16 in., Metropolitan Museum of Art, New York, NY. https://www.metmuseum.org/art/collection/search/388017.

Right: Marcantonia Raimondi. Christ among the Doctors, 1514, Engraving on paper, 11 1/4 x 7 15/16 in. The Clark Institute, Williamstown MA. https://www.clarkart.edu/artpiece/detail/christ-among-the-doctors.

Left: Bradford Gilbert, Architect. English-American Building Atlanta (Flatiron Building) Atlanta, 1897. 74 Peachtree Street, NW, Atlanta, Georgia, USA. National Register of Historic Places ref #76000626. https://commons.wikimedia.org/wiki/File:Flatiron-Bldg-Atlanta.jpg. ("Flatiron Building (Atlanta)" by Eoghanacht is licensed under CC by 3.0)

Right: Daniel Burnham, Architect. Fuller Building (Flatiron Building) New York, 1902. 175 Fifth Ave, Manhattan, NY, USA. National Register of Historic Places ref #79001603. ("Flatiron Building (formerly the Fuller Building), Manhattan, New York" by Imelenchon is licensed under CC by 3.0)